I’m hitting the road again today… I won’t be going as far as Palestine this time but I’ll be gone for about two weeks.

My first stop will be New Brunswick, NJ where I’ll be participating in the National Press Photographers’ Association 2010 Northern Short Course in Photojournalism. It’s a three-day workshop where photographers can attend and participate in a variety of lectures, classes, and workshops. You can read more about it here.

On Sunday, though, I’ll be traveling to New York City where I’ll be working the town and trying to get my portfolio in front of the right people from photo agencies, NGOs, publishers, and so on. In addition to wooing photo editors, I’m also going to be looking for funding and/or accreditation to do an embed with NATO forces in Afghanistan sometime within the next few months.

I’ll definitely try to keep this blog updated with any developments and, perhaps, even a few photos of one of my favorite cities.

Last week, I posted a preview of the portfolio book I was having published. I’m happy to report that all of the copies I ordered have now been delivered and I am extremely pleased with the final product.

For those of you that don’t know, I assembled and ordered the book using Apple’s Aperture 3 photo editing and management software. I won’t really go into the details of how it works, since it’s pretty self-explanatory, but I have included a screenshot of the interface below.

As you can likely see from the screenshot above, the interface is very intuitive and allows you to change the theme and size of the book, the layout of each individual page, and the placement and content of text boxes throughout the book. When finished, you simply click on “Buy Book” and the content is uploaded directly to Apple and you will be guided through a workflow for quantity and payment. All in all, the process was quite painless.

As you can see from the first photo above, I decided to order one extra-large (13″ x 10″) hardcover book and seven medium (8″ x 6″) softcover books, each 50 pages long. The hardcover book cost $95 and each softcover book cost $25.

The hardcover book will be kept with me for showing to clients and so on, while the softcover books can be left behind with a particularly important client, or potential client.

All in all, I’m very impressed with the quality and the speed with which they were published and shipped.

I’ve included a few more photos below…

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A fellow DC photographer and videographer, Dawn Casey of Casey Multimedia, recently sat down with me to interview me about my work, my recent trip, and my goals as a photojournalist. She has put together the following awesome video and I thought I’d share it with you:
  

Over the last few days, I’ve been working on updating and editing my portfolio. I also took the time to publish it in a large, hardcover, professionally-bound book that I plan on taking with me next month to New York City.

Feel free to browse through the preview below. Please note that there are a few blank white pages since this is the actual book preview.

You will need to have Flash enabled in your browser to view the embedded slideshow below.

In case you were wondering, I assembled this book in Aperture 3 and I am having it published through Apple.

I am also going to be printing out a few smaller, soft-copy versions that I’ll be able to give to potential clients and agencies.

As I reflect on my recent trip to Palestine, I wanted to let you know of two photographers, and friends, that helped make my trip possible. I met each of these gentleman back in 2005 during my first trip to Palestine and they’ve been great friends ever since. During my most recent trip, they were invaluable to me. From helping to navigate the West Bank to translation services to even letting me stay in their home, my trip would not have been possible without them. And, above all, they’re great friends and very talented photographers.

I’ve included some of their photos below as well as links to their Facebook pages. Click on any of the photos below to visit their Facebook fan pages.

Ahmad Al-Nimer

Jehad Fadda

The time has come for me to leave Palestine and head back to the United States. As with my past trips to Palestine, and even moreso this time, I’m always a little sad when I leave the place that has become my second home. I made a bunch of new friends, got a chance to spend a lot of time with some great old friends, and managed to experience Palestine a little more than I ever have before. While a trip like this never goes according to plan, this trip was incredible in every way. I’ll be forever grateful to the people who made this trip so special. And, if you have even the slightest interest in seeing Palestine first-hand, I wholeheartedly recommend that you do so. You’ll be forever changed.

Now what?

Over the last few days, I’ve been thinking a lot about what to do and where to go next. For one, over the next month or two, I’ll be concentrating on building up my commercial photography business. It will be a nice change of pace compared to the last month’s adventures. I have a couple clients and shoots lined up and I look forward to sharing the results with you where possible.

Finally, I’m also planning a short trip to New York City within the next month or so to visit some organizations, photo agencies, and publishers to see where that leads me.

But for now, as I sit in a hotel lobby in Amman, Jordan, I’m just concentrating on digesting the last five weeks.

I’ll see you all stateside!

Being a freelance photographer gives me a degree of freedom that might not otherwise be possible. However, that also means that I am often forced to finance my own projects. If you enjoy my work, please consider making a donation.

While the economic situation in much of the West Bank has improved over the last couple years, this progress has largely missed many of the West Bank’s refugee camps.

Askar Refugee Camp was established in the Palestinian city of Nablus in 1950 by the United Nations Relief and Works Agency (UNRWA). It was designed to house some of the 700,000+ people displaced or expelled during the creation of the state of Israel in 1948. The camp, however, was expanded by its residents in 1965 due to overcrowding. The expansion became known as New Askar Refugee Camp but was not officially recognized by UNRWA.

According to UNRWA, as of 2007, the poverty rate in Askar hovers between 40 and 50 percent while close to 30 percent experience “extreme” poverty.

The original residents of Askar Refugee Camp were expelled from areas such as Jaffa and Haifa in, what is now, Israel. Many camp residents still hold the keys and deeds to their pre-1948 homes hoping that they will be able to return one day.

New Askar Refugee Camp was an essential part of my introduction to Palestine back in 2005. I spent a little over two weeks volunteering and spending time with the kids of the camp. I returned to volunteer again in the summer of 2008. Now, five years since my first visit, I still recognize many of the children that have unknowingly played a significant role in my life, not as a photographer, but as a human being. And for that, I will be eternally grateful to them.

Being a freelance photographer gives me a degree of freedom that might not otherwise be possible. However, that also means that I am often forced to finance my own projects. If you enjoy my work, please consider making a donation.

Every Friday, Palestinians from the village of Ni’lin organize protests against the Israeli “security/separation” barrier being built through the village. Recently, these protests have turned more violent. Israel has, for example, declared Ni’lin a closed military zone on Fridays. This means that, unless you live in Ni’lin, you’re not even allowed to enter the village due to a makeshift checkpoint on the road to the village. This has greatly reduced the available press or even international observer presence at the protests.

We, however, managed to get into the village by exiting our taxi about 1km from the village entering on foot via an alternate route.

The protest followed a similar pattern as Bil’in the week before. The protesters marched toward the wall, chanting and waving flags. Soon thereafter, they lit a pile of tires on fire in front of the gate on the wall and the Israeli army opened up with a barrage of tear gas and concussion grenades. The first volley of tear gas, I should note, was actually fired at close range and aimed directly at the protesters instead of up in the air. Fortunately, none of the high-speed canisters hit anyone. For the next hour or two, the protesters would throw stones at the soldiers over the wall and the army would respond with tear gas. Back and forth in fits and spurts.

Finally, however, the Israeli army opened the gate on the wall and began chasing the protesters through the fields and groves of olive trees. There were a few live rounds fired but, as far as I could tell, no one was hit. The IDF ultimately arrested one protester before withdrawing back behind the wall.

I’ve uploaded a few photos below…

For those unfamiliar with the logos and paraphernalia of the various groups in Palestine, the child on the right (above) is wearing a Hamas hat. I thought it provided an interesting contrast to his Spiderman sweatshirt.

Being a freelance photographer gives me a degree of freedom that might not otherwise be possible. However, that also means that I am often forced to finance my own projects. If you enjoy my work, please consider making a donation.

For a slight change of pace from the normal news coming out of the West Bank, I decided to provide a glimpse into, what has turned out to be, a thriving women’s soccer movement in Palestine.

Last Thursday, I had the opportunity to meet up with the Diyar Women’s Soccer Team in Ramallah as they were preparing to play against Syrieh Ramallah. I was invited to photograph the event by Diyar captain Honey Thaljieh, a member of the Palestinian Women’s National team.

The house was packed as many of the fans seemed to be supporting Diyar despite the venue being in Syrieh Ramallah’s backyard. Unfortunately, however, Diyar lost the match by the score 2-1.

Given that the match was indoors and many of the overhead lights weren’t working, the lighting was a little tricky, especially for the fast-paced action on the floor. Fortunately, I managed to grab a few shots. I’ve included just a small sample of photos from the event below.

Being a freelance photographer gives me a degree of freedom that might not otherwise be possible. However, that also means that I am often forced to finance my own projects. If you enjoy my work, please consider making a donation.

Today, I traveled to the Palestinian village of Bil’in outside of Ramallah to photograph the weekly demonstrations against the construction of Israel’s “security/separation” barrier.

The march began shortly after the Friday prayers. Palestinians from the village marched, accompanied by a few international demonstrators, through the village and up to the fenceline where the Israeli army was waiting. The demonstrators began planting an olive tree at the fence while chanting and waving flags. Shortly after the tree had been planted, tear gas and concussion grenades were being launched by the Israeli army in an effort to disperse the protesters. Many of the protesters retreated but many younger kids fled into the surrounding trees where they began throwing stones and rocks at the soldiers.

After about 10-20 minutes, the Israeli army crossed the fenceline and began pursuing the demonstrators and stone-throwers. At the same time, another small army patrol had flanked the demonstration and came out behind the demonstration. With the bulk of the demonstrators retreating to the village, the army spent most of its time pursuing the stone-throwers through the surrounding fields.

The whole scene was fairly chaotic. In addition to trying to photograph the soldiers and stone-throwers at two different locations, I was also paying attention to the incoming tear gas canisters from the army and the incoming stones from the stone-throwers since I was wearing neither a gas mask or a helmet.

I’ve included a few photos from the demonstration and ensuing chaos below. I’ve also included a few videos that were shot by a local friend of mine. The videos are fairly short given the fast-paced situation but, hopefully, it will give you a feel of how Fridays go in Bil’in.

In the video below, you will be able to see the planting of the olive tree near the fenceline. I’m in the video briefly…

The video below was taken near the rear of the demonstration. At the time I was either up front or navigating the trees photographing the stone-throwers. You will hear, however, the crack of the tear gas and the whistle as they fly close overhead.

Being a freelance photographer gives me a degree of freedom that might not otherwise be possible. However, that also means that I am often forced to finance my own projects. If you enjoy my work, please consider making a donation.